1. Golden Ears Audio Ear Training Program (book+mp3)
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  • I went on to become an accoladed Professor of Audio Engineering and then Music & Video Technology, and I’ve taught over 1000 college students. When I designed an award-winning bachelor degree program in Music Technology, I used the textbook and the 8-CD training series “Golden Ears.
  • Golden Ears An audio ear-training course for recording engineers, producers and musicians. Moulton started doing such training as an educational exercise for students back in 1969, and has since used it everywhere. In 1992, KIQ Productions asked.
  • The purpose of this training is to open your ears to what each frequency sounds like and reduce the amount of time needed to acquire this knowledge. In 15 minutes you can guess or correct 100 random equalisations, so training every day for a few weeks is equivalent to.
  • GOLDEN EAR TRAINING If your business is about sound, then you need everything that can help you capture and manipulate better sounds.
Posted on 2010-09-04. By anonymous.

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Golden Ears Audio Ear Training Program (8 CDs Manual Book)
Golden Ears Audio Ear Training Program (8 CDs Manual Book) | 657.54 MB

An audio ear-training course for recording engineers, producers and musicians. Moulton started doing such training as an educational exercise for students back in 1969, and has since used it everywhere. In 1992, KIQ Productions asked Moulton to make it commercially available, and the rest is history.
Vol. 1: Frequencies
Trains you to recognize boosts and cuts in all ten octaves of the frequency spectrum. Progressive drills build from simple boosts in music to more demanding single octave cuts in pink noise.Programs
Vol. 2: Effects & Processing
31 possible signal processing changes, grouped into simple families: amplitude change, gross and subtle distortion, slow and fast release compression, equalization changes, stereophony anomalies and time-delay / reverberation settings.
Vol. 3: Delays and Decays
Delay settings from tenths of a millisecond to whole seconds; panning / slap / spaciousness effects ? in mono and stereo, on sustained and transient sounds. Reverb parameters ? predelays, decay times, etc. Invaluable when creating programs.
Vol. 4: Master frequencies
Advanced EQ. Identify cuts and boosts to within a third of an octave; and two octave bands simultaneously boosted and/or cut.

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